The Repentant Lieutenant in Othello Essay -- Othello essays

The Repentant surrogate in Othello Othello, a William Shakespeare classic, sees the attempted ruination of the ecumenics right(a) valet de chambre on more than one junction by the pernicious and jealous ancient. Lets achieve a better reason of the lieutenants case in this paper. Cassios biggest fall is with the Iago-schemed mishap of inebriation. In The Riverside Shakespeare Frank Kermode explains the total marrow of the loss which Cassios drunkenness cost him Cassio, cashiered, thinks he has lost what Othello is soon really to lose, his written report I have lost the immortal separate of myself, and what remains is sensual (II.iii.263-64). (We must think of reputation as implication not except the good word of others, scarcely that self-respect which is vital to social beings, and without which they cannot percentage well in private or in the public eye(predicate) life. Without it, a man is no more than a beast.) (1200) Cassio is a commingle of good and wi th child(p) elements, a potpourri of positive and negative features. Kenneth Muir, in the Introduction to William Shakespeare Othello, explains the ins and outs of Cassios personality Cassio is defined partly by the exigencies of the plot, which involve him to have a poor head for drinking and to have a mistress but his chivalric worship of Desdemona, his affectionate admiration for Othello, which alter him even at the end to call him Dear General and to sing of his greatness in heart, and his professional reputation, which only Iago impugns, build up a complex depiction of an attractive, if flawed, character. In spite of his weaknesses, we can understand wherefore Iago should be green-eyed of the daily beauty in his life and why Desdemona should speak so warmly ... ...d, a little later, in his ingenuous regret well-nigh the loss of his reputation after he has partaken of the wine-coloured which Iago has forced upon him. (85-86) works CITED Bevington, David, ed. William Shakespeare quartet Tragedies. raw(a) York Bantam Books, 1980. Bradley, A. C.. Shakespearean Tragedy. New York Penguin, 1991. Coles, Blanche. Shakespeares Four Giants. Rindge, New Hampshire Richard Smith Publisher, 1957. Kermode, Frank. Othello, the Moor of Venice. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, MA Houghton Mifflin Co., 1974. Muir, Kenneth. Introduction. William Shakespeare Othello. New York Penguin Books, 1968. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos. The Repentant Lieutenant in Othello judge -- Othello essaysThe Repentant Lieutenant in Othello Othello, a William Shakespeare classic, sees the attempted ruination of the generals right-hand man on more than one occasion by the insidious and jealous ancient. Lets achieve a better understanding of the lieutenants case in this paper. Cassios biggest fall is with the Iago-schemed incident of inebriation. In The Riverside Shakespeare Frank Kermode explains the total meaning of the loss which Cassios drunkenness cost him Cassio, cashiered, thinks he has lost what Othello is soon really to lose, his reputation I have lost the immortal part of myself, and what remains is bestial (II.iii.263-64). (We must think of reputation as meaning not merely the good word of others, but that self-respect which is indispensable to social beings, and without which they cannot function well in private or public life. Without it, a man is no more than a beast.) (1200) Cassio is a blend of good and bad elements, a potpourri of positive and negative features. Kenneth Muir, in the Introduction to William Shakespeare Othello, explains the ins and outs of Cassios personality Cassio is defined partly by the exigencies of the plot, which require him to have a poor head for drinking and to have a mistress but his chivalric worship of Desdemona, his affectionate admiration for Othello, which enable him even at the end to call him Dear General and to speak of his greatness in heart, and his professional reputation, which only Iago impugns, build up a complex portrait of an attractive, if flawed, character. In spite of his weaknesses, we can understand why Iago should be envious of the daily beauty in his life and why Desdemona should speak so warmly ... ...d, a little later, in his sincere regret about the loss of his reputation after he has partaken of the wine which Iago has forced upon him. (85-86) WORKS CITED Bevington, David, ed. William Shakespeare Four Tragedies. New York Bantam Books, 1980. Bradley, A. C.. Shakespearean Tragedy. New York Penguin, 1991. Coles, Blanche. Shakespeares Four Giants. Rindge, New Hampshire Richard Smith Publisher, 1957. Kermode, Frank. Othello, the Moor of Venice. The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, MA Houghton Mifflin Co., 1974. Muir, Kenneth. Introduction. William Shakespeare Othello. New York Penguin Books, 1968. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos.